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Selected Bibliography of Work in Cognitive Film and Video
Books
Allen, Richard, and Murray Smith, eds. Film Theory and Philosophy. Oxford: Clarendon Press, 1997. Anderson, Joseph D. The Reality of Illusion: An Ecological Approach
to Cognitive Film Theory. Carbondale: Southern Illinois University
Press, 1996. Bordwell, David. Making Meaning: Inference and Rhetoric in the
Interpretation of Cinema. Cambridge: Harvard University Press,
1989. Bordwell, David. Narration in the Fiction Film. Madison:
University of Wisconsin Press, 1985. Bordwell, David. On the History of Film Style. Harvard University
Press, 1997. Bordwell, David, and Noel Carroll, eds. Post Theory: Reconstructing
Film Studies. Madison: University of Wisconsin Press, 1996. Branigan, Edward. Narrative Comprehension and Film. New
York: Chapman and Hall, Inc., 1992. Carroll, Noel. Mystifying Movies. New York: Columbia University
Press, 1988. Carroll, Noel. Philosophical Problems in Classical Film Theory.
Princeton: Princeton University Press, 1988. Carroll, Noel. Theorizing the Moving Image. New York: Cambridge
University Press, 1996. Currie, Greg. Image and Mind: Film, Philosophy and Cognitive Science.
New York: Cambridge University Press, 1995. Eidsvik, Charles. Cineliteracy. New York: Random House,
1978. Grodal, Torben. Moving Pictures: A New Theory of Film Genres, Feelings,
and Cognition. Clarendon Press Oxford, 1997. Livingston, Paisley. Literature and Rationality: Ideas of Agency in Theory and Fiction. Cambridge University Press, 1992. Messaris, Paul. Visual "Literacy": Image, Mind, and Reality. Boulder, CO: Westview Press, 1994. Plantinga, Carl. Rhetoric and Representation in Nonfiction Film. Cambridge University Press, 1997. Smith, Gregory, and Carl Plantinga, eds. Passionate Views: Thinking about Film and Emotion. Baltimore: Johns Hopkins University Press, 1998. Smith, Murray. Engaging Characters. Oxford University Press,
1995. Tan, Ed S. Emotions and the Structure of Narrative Film: Film as an Emotion Machine. Mahwah, NJ: Lawrence Erlbaum Associates, 1996.
Articles
Anderson, Joseph. "A Cognitive Approach to Continuity." Post Script:
Essays in Film and the Humanities 13,1 (Spring 1993): 61-66. Anderson, Joseph, and Barbara Anderson. "The Case for an Ecological Metatheory."
In Post Theory, edited by David Bordwell and Noel Carroll,
347-367. Madison: University of Wisconsin Press, 1996. Anderson, Joseph and Barbara Anderson. "The Myth of Persistence of Vision
Revisited." Journal of Film and Video 45,1 (Spring 1993):
3-12. 2 Andrew, Dudley. "Cognitivism: Quests and Questionings." Iris
9,11 (Spring 1989): 1-11. Bordwell, David. "A Case for Cognitivism." Iris 9 (Spring
1989): 11-41. Branigan, Edward. "Diegesis and Authorship in Film." Iris
7,4 (Fall 1986, 7): 37-54. Brooks, Virginia. "Film, Perception and Cognitive Psychology." Millenium
Film Journal 14/15 (1984): 105-126. Carroll, Noel. "Film, Attention and Communication: A Naturalistic Account."
Great Ideas Today. Chicago: Encyclopedia Britannica. (forthcoming,
1997) Carroll, Noel. "Toward a Theory of Point-of-View Editing: Communication,
Emotion, and the Movies." Poetics Today 14:1 (Spring 1993):
123-141. Collins, Andrew W. "Recent Advances in Research on Cognitive Processing
of Television Viewing." Journal of Broadcasting 25,4 (Fall
1981): 327-335. Cowen, Paul S. "A Social-Cogntive Approach to Ethnicity in Films," in Unspeakable Images: Ethnicity and the American Cinema, ed. Lester D. Friedman (University of Illinois Press, 1991). Cowen, Paul S. "Effects of Narrative Structure and Emotional Content on Cognitive and Evaluative Responses to Film and Text," Empirical Studies of the Arts 14.1 (1996): 33-47. Cowen, Paul S. "Manipulating Montage: Effects on Film Comprehension, Recall, Person Perception, and Aesthetic Responses," Empirical Studies in the Arts 6 (1988): 97-115. Cowen Paul S. "Les media audioviusels et le traitment biaise de l'information," Revue Quebecoise de Psychologie. 19.1 (1998): 89-108. Cowen, Paul S. "Visual Memory, Verbal Schemas, and Film Comprehension," Empirical Studies of the Arts 10.1 (1992): 33-55. Cowen, Paul S. and Alain Lebel, "The Influence of Story, Plot and Genre on Memory for Action in a Film," Empirical Studies of the Arts 16.1 (1998): 71-83. Currie, Gregory. "Simulation Theory, Theory-Theory and the Evidence from
Autism." In Theories of Theories of Mind. P. Carruthers and
P. Smith (eds). Cambridge University Press, 1996. Currie, Gregory. "The Paradox of Caring." In Fiction and Emotion.
Mettje Hjort (Ed). Oxford University Press, 1996. Currie, Gregory. "Fiction, Time and Ecocentric Attributions." In Essays
on Time and Tense. R. le Poidevin (Ed). 1996. Currie, Gregory. "Realism of Character." In Art and Morality.
J. Levinson (Ed). Cambridge University Press, 1996. Currie, Gregory. "The Film Theory that Never Was." In Essays in
Philosophy of Film. Richard Allen and Murray Smith (Eds). Oxford
University Press, 1996. Eitzen, Dirk. "Attending to the Fiction: A Cognitive Account of Cinematic
Illusion." Post Script: Essays in Film and the Humanities
13,1 (Fall 1993): 47-60. Evces, Mike. "Touch of Evil and Ecological Optics: Toward a Demystification
of Conventional Film Editing Practice." Journal of Dramatic Theory
and Criticism VIII,2 (Spring 1994): 104-309. Hochberg, Julian, "Representation of Motion and Space in Video and Cinematic
Displays." In Handbook of Perception and Human Performance.
Vol. 1, edited by K. Boff, J. Thomas, and L. Kaufman. Chapter 22. New
York: Wiley, 1986. Hochberg, Julian. "The Construction of Pictorial Meaning." In Advances
in viusal semiotics: The Semiotic Web 1992-1993. T.A. Sebeok and
J. Umiker-Sebeok, eds. Berline: Mouton de Gruyter, Hochberg, Julian. "The Perception of Moving Images." Iris
9 (Spring 1989): 41-69. Hochberg, Julian. "The Perception of Pictures and Pictorial Art." Chapter
Five in Cognitive Ecology, 2nd ed. M.P. Friedman & E.C.
Carterette, eds. NY: Academic Press, 1996. Hochberg, Julian, "Representation of Motion and Space in Video and Cinematic
Displays." In Handbook of Perception and Human Performance.
Vol. 1, edited by K. Boff, J. Thomas, and L. Kaufman. Chapter 22. New
York: Wiley, 1986. Hochberg, Julian and Virginia Brooks. "The Perception of Motion Pictures."
Chapter Six in Cognitive Ecology. 2nd ed. M.P. Friedman &
E.C. Carterette, eds. NY: Academic Press, 1996. Munsterberg, Hugo. "Why We Go to the Movies." Cosmopolitan
15 December 1915: 22-33. Plantinga, Carl. "Affect, Cognition, and the Power of Movies." Post
Script: Essays in Film and the Humanities 13,1 (Fall 1993): 10-29.
Prince, Stephen. "Contemporary Directions in Film Theory: An Introduction."
Post Script: Essays in Film and the Humanities 13,16 (Fall
1993): 3-9. Prince, Stephen. "True Lies: Perceptual Realism, Digital Images and
Film Theory," Film Quarterly 49:3 (Spring 1996), pp. 27-37.
Prince, Stephen and Wayne Hensley, "The Kuleshov Effect: Recreating
the Classic Experiment," Cinema Journal 31:2 (Winter 1992),
pp. 59-75. Small, Edward S. "Introduction: Cognitivism and Film Theory." Journal
of Dramatic Theory and Criticism VI,2 (Spring 1992): 165-172. Smith, Murray. "Cognition, Emotion and Cinematic Narrative." Post Script: Essays in Film and the Humanities 13,1 (Fall 1993): 30-46. Tan, Eduard S. "Constraint and Convention in Psychological Film Aesthetics:
On the Psychological Basis of Cinematic Conventions." Towards a
Pragmatics of the Audiovisual. Jurgen E. Muller (Ed.) Vol. 2. Munster:
Nodus Publikationen. 67-86. Tan, Eduard S. "Film-induced affect as a witness emotion." Poetics
23:7-32. Tan, Eduard S. and Gijsbert Diteweg. "Suspense, Predictive Inference, and Emotion in Film Viewing." Suspense. P. Vorderer, H.J. Wulff and M. Friedrichsen (Eds) Mahwah, NJ: Erlbaum, 1996. 149-188.
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